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Osmar Gonçalves
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Portuguese
Osmar Gonçalves
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Navigation Menu
Works
Bio
Publications
Teaching
Contact
Portuguese
Sensory narratives: essays on cinema and contemporary art
Sensory narratives: essays on cinema and contemporary art
Contemporary Photography: Borders and Transgression
Contemporary Photography: Borders and Transgression
The staging in the photographic portrait: from “this was” to “this was staged”
The staging in the photographic portrait: from “this was” to “this was staged”
Cinema (live): disjunctive editing and the explosion of meanings in the practice of VJs
Cinema (live): disjunctive editing and the explosion of meanings in the practice of VJs
Body politics in contemporary video installations
Body politics in contemporary video installations
What can photography do today? Notes on experimentation and playfulness in the works of Rosângela Rennó and Alexandre Sequeira
What can photography do today? Notes on experimentation and playfulness in the works of Rosângela Rennó and Alexandre Sequeira
Warburg and Benjamin: unfinishedness and montage as methods of knowledge
Warburg and Benjamin: unfinishedness and montage as methods of knowledge
Staging in photography – setting up scenes and telling stories
Staging in photography – setting up scenes and telling stories
Reconfigurations of the gaze: haptics in contemporary visual culture.
Reconfigurations of the gaze: haptics in contemporary visual culture.
Photography and urban experience: notes on the poetics of chaos in Eustáquio Neves
Photography and urban experience: notes on the poetics of chaos in Eustáquio Neves
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